For those who follow the post punk genre as I do, the name Siouxsie Sioux is unmistakable. She is to the post punk world what Elvis Presley was to rock in the 50s. Always one for a distinctive style, be it in physical appearance, musical style, or witty comebacks during interviews, Sioux has always embodied a particular penchant for reinvention in each music project she's endeavored. From the seminal work as Siouxsie and the Banshees, arguably one of the defining bands of the 80s British post punk offerings, to the percussive-heavy project The Creatures, to an eclectic yet familiar powerful first solo album, Sioux is perhaps one of the very few artists who does great things regardless of the project, having yet to make a large musical mishap.
As it were, following a strong debut solo album (2007's Mantaray), Sioux would essentially drift off into the shadows, making small appearances here and there as a reminder that she's not gone, just hiding. Brooding. Much with David Bowie's mysterious ten year hiatus, Sioux would seemingly vanish for approximately eight years. After all that time, the "Ice Queen" returns with a new song, "Love Crime."
Sioux, a fan of the television series Hannibal, was tapped by Brian Reitzell (former drummer of Redd Kross and current musical supervisor and composer for the Hannibal series) with the suggestion of a collaboration. Sioux immediately agreed and inquired what the final season would more or less be about - a love story, as it were. Sioux began writing lyrics without having seen any of the final season or receiving any major details on the overall plot line. What resulted was "Love Crime," the first song Sioux has written and sung in roughly eight years, and possibly the first of many in a line of collaborations with Reitzell.
The song itself is on the slower side, reminiscent in some cases of 1992 Banshees hit "Face To Face" (featured in Batman Returns). It is an eerie song, driven by drums, violin, and bass, before a moving guitar section kicks in behind Sioux's ever refined and spotless vocals. Though cliched as it may be, Sioux is a perfect example of how age can make the voice even stronger and richer than it was already. Listening to this song literally gave me goosebumps. It's a glimpse into what Sioux could have been doing all these years, but has kept pent up instead, evolving and growing into an incredibly strong first showing in eight years. Not that Sioux needs my approval or anyone else's, but "Love Crime" makes a strong argument for her full return to music. Let's just hope that future collaborations between her and Reitzell find their way to a music release...and sooner rather than later.
I knew it. When watching the last episode of Hannibal I heard that distinct voice and actually said "that's Siouxsie!". Siouxsie has got an amazing voice
ReplyDeleteHah, good ear! And yes, she definitely does. One of those where it was great to begin with, but has certainly aged well and matured well with her. And I still say that whatever music project she touches, you know it'll be great. :)
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